Drunken Owl Theatre continues to bring some of the most unique evenings of performance art to the stage in the region. Their latest, I Protest, proves that not every piece approaches protest from the same angle. Instead, the evening recognizes that resistance can take many forms. It can be political, personal, artistic, cultural, or simply an act of refusing to look away. Through music, poetry, and theatre, Drunken Owl Theatre creates a space where artists can respond to the world around them in real time, sharing ideas that are often still evolving and inviting audiences into that process. In an arts landscape where opportunities for new work can be difficult to find, that mission feels increasingly important. I Protest may not offer answers to the issues it raises, but it succeeds in encouraging conversation, reflection, and engagement. Sometimes, especially in uncertain times, that may be protest enough.

“She Loves Me” is a heartwarming, unexpectedly funny, romantic enemies to lover’s classic tale. Centerstage’s production will transport to you to the days when things were just simpler and far more enjoyable. The cast is immensely talented and hilarious, the crew and design teams’ dedication prevail in its quality and the visual, auditory and emotional experiences are a testament to a job well done by all. Tell everyone you know, “She Loves Me” is an overall fragrant success I’d gladly purchase time and time again.

Kitsap Forest Theater’s Frozen brings a wonderful balance between spectacle and sincerity. Yes, the familiar songs, choreography, costumes, and visual flourishes are all here, but what ultimately makes this production work is the emotional honesty at its center. Through strong performances from its leads, energetic ensemble work, impressive visual design, and the unique atmosphere of the forest setting itself, this production delivers a version of Frozen that feels heartfelt rather than manufactured. For families, Disney fans, or anyone simply looking for an enjoyable afternoon of live theatre in one of the region’s most unique venues, this production is well worth the trip into the woods.

Drama Dock Theatre Company’s production of Anthropology works because it buys in to the play’s humanity. Beneath the conversations about artificial intelligence, data modeling, and digital reconstruction lies a story about grief, loneliness, forgiveness, and the desperate human desire to hold onto the people we love. Lauren Gunderson ultimately frames the play’s central truth through one simple but devastating idea repeated throughout the production: “People are unreplicable.” This cast and creative team understands that truth completely, delivering a production that is emotionally intelligent, technically impressive, and deeply affecting. By the end, Anthropology leaves the audience not thinking about technology, but thinking about the fragile, irreplaceable humanity that technology can imitate, but never truly replace.

A Man of No Importance never treats its themes as abstract concepts. The story may deal with repression, identity, religion, and acceptance, but it always remains rooted in human relationships and emotional honesty. SecondStory Repertory’s production recognizes that balance and allows the quieter moments to carry just as much importance as the larger musical sequences. By the time Alfie reaches Welcome to the World, his emotional journey feels fully earned, and the show’s final moments land with considerable impact. In a world where people are still too often made to feel invisible or ashamed for simply being themselves, this musical remains remarkably relevant, and this production serves as a heartfelt reminder that there is tremendous power in simply allowing people to love who they love.

Bremerton Community Theatre’s production of Old Ringers understands exactly what kind of experience this play is meant to provide, embracing both the sharp humor and the warmth underneath it, carefully walking the balance between humor and heart and delivering on both. The result is an easygoing and frequently funny evening of theatre that reminds audiences that stories about aging are not simply about decline, but about connection, resilience, friendship, and the continued desire to be seen, valued, and loved.

Few playwrights understood comedic structure and dialogue quite like Neil Simon, and Taproot Theatre’s production serves as an excellent reminder of why his work continues to resonate. Karen Lund and the cast she has assembled find both the humor and emotional authenticity within the material, creating a production filled with laughter while never losing sight of the quieter realities beneath the jokes. It is a charming, sharply performed evening of theatre that celebrates both the absurd frustrations and enduring joys of relationships.

What makes Love/Sick resonate is not that it presents idealized romance, but that it acknowledges how messy, frustrating, and imperfect relationships often are. People say the wrong things, misunderstand each other, cling too tightly, or fail to communicate entirely, yet beneath all of that remains a desire for connection that feels deeply human. By the end of the evening, as the production draws its emotional threads together, the cumulative effect becomes clearer. Even the scenes that may not fully succeed theatrically still contribute to the larger emotional mosaic Cariani is building. Olympia Little Theatre’s production may fluctuate in consistency, but at its best it captures something honest about modern relationships, and that honesty is what lingers after the final scene.

With Jesus Christ Superstar, The Fifth has created a perfect show about someone perceived to be perfect while reminding us of his and our own humanity. Humanity that’s shown not only in subject matter, but the carefully crafted details, the diversity on stage to be seen and celebrated, for a timeless story to be reimagined and remind us that even our biggest enemies give us our biggest blessings. Whether that is in our art, career, religion, relationships or morals.  Politics absolutely belongs to/in the arts, and I can’t thank the Fifth Avenue Theatre enough for concocting one of the most meaningful and beautiful pieces of art I have ever borne witness to. May I and my peers continue to create art even remotely close to this professional level but most importantly art with a message to ensure, like Jesus of Nazareth, other minorities and religions don’t get washed away and erased. Don’t walk, don’t run, teleport to see “Jesus Christ Superstar” at The Fifth Avenue Theatre before it closes, I hope you feel as inspired by at is as I did!

Woodinville Repertory Theatre’s current production is an exploration of what we owe our loved ones, our neighbors, and ourselves. Their Native Gardens features direction that makes use of a unique performance space, actors unafraid to dive into the messier aspects of life, and high-caliber production design, all of which adds up to an in-depth interrogation of how what we owe one another changes based on historical context, socio-political realities, heritage, and the universal desire to belong.

Blue Hour Theatre Group’s Continuity is effective because it resists easy cynicism. The play clearly recognizes the contradictions embedded within Hollywood activism, environmental messaging, and performative allyship, but it also acknowledges the human desire to create stories that matter. Even when the characters fail each other, compromise themselves, or lose sight of the message they claim to champion, the production never entirely dismisses the value of trying. Blue Hour Theatre Group’s production captures that tension well, presenting a work that is thoughtful, funny, occasionally messy by design, and ultimately interested less in perfect answers than in the complicated process of asking difficult questions.

Pipeline doesn’t offer easy answers, and Lakewood’s staging doesn’t attempt to impose them. Instead, it creates space for the audience to engage with the questions at its core—about systemic inequities, about communication, about the limits of love and the structures that shape our lives. The result is a production that feels honest, immediate, and deeply relevant, one that offers a powerful and thought-provoking experience that speaks as much to the present moment as it does to the personal stories at its heart.

Where the Summit Meets the Stars proves how effective it is when a theatre fully commits to the emotional and cultural specificity of the story, as is the case with Harlequin. The production never feels interested in simplifying its themes or overexplaining its symbolism. Instead, it invites the audience into a reflective experience built around memory, heritage, grief, and connection to land and family. The result is a thoughtful and visually compelling piece of theatre, one carried by strong performances, confident direction, and a design team that understands how to support both the realism and the spirituality woven throughout the script.

Bark! The Musical understands that beneath all the jokes, barking, and absurd canine behavior, there’s nothing like the emotional connection people have with their pets. The production embraces the humor wholeheartedly, but it also recognizes the loyalty, comfort, heartbreak, and unconditional affection that make dogs such an important part of so many lives. At Key City Public Theatre, Denise and this talented ensemble have created a production that is funny, heartfelt, musically polished, and consistently engaging, resulting in an evening that feels both joyfully entertaining and genuinely meaningful for anyone who has ever loved a dog.

American Idiot understands the heart beneath the anger of the generation at the heart of its story.  Beneath the loud guitars, political frustration, addiction, rebellion, and chaos is a story about young people desperately trying to figure out who they are and whether there is still hope for something better.  The production is loud and energetic, and emotionally it remains locked in on that central idea.  In a world that often still feels fractured, angry, and uncertain, American Idiot continues to resonate, and this production captures that restless spirit with conviction.

Some of the best local art in our area takes place in grange community buildings (such as theirs), church gymnasiums, cafeterias, underneath the space needle and even strip malls. “The important of Being Earnest” is a fun story from an older time in which the materials still relate to our world today. Valley Center Stage’s production from the inside out, from start to finish, would have made Oscar Wilde proud and I cannot wait to attend my next performance with them.

You Will Get Sick doesn’t offer easy answers, but it does invite reflection—on illness, on connection, and on the ways we construct meaning in uncertain circumstances. In a theatrical landscape that often favors clarity, this production stands out for its willingness to sit in ambiguity, asking its audience not just to watch, but to engage, interpret, and question what they’re seeing.